Miriam Cahn plans to pull works from Zurich Art Museum over Bührle Collection
Internationally renowned Swiss artist Miriam Cahn says she wants to remove all her works on display at the Zurich Art Museum in response to the outcry over the Bührle collection. Paintings in the collection are suspected of being linked to art looted by the Nazis.
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Cahn planea retirar su obra del Museo de Zúrich por la Colección Bührle
“I no longer want to be represented in ‘this’ art museum in Zurich,” Cahn said in a letter to the Jewish weekly TachlesExternal link, published on Wednesday and obtained by media agency Keystone-SDA. “I wish to remove all my works from the Zurich Art Museum. I will buy them back at the original sale price,” said the 72-year-old artist, who is Jewish.
She called out the museum for its “historical blindness” and criticised the “opaque mixing” between the museum, the city and various other parties that she argues led to the “stupid loan contract” of the Bührle Collection.
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The inclusion of around 200 works from the Bührle Collection into the new extension of the museum, which opened this autumn, has sparked controversy over its origins. Wealthy industrialist Emil Georg Bührle, who died in 1956, earned much of his wealth through the sale of arms to Germany during and after the Second World War. His fortune allowed him to build up an art collection which he bequeathed to the foundation.
The Bührle Foundation says none of the works on display were looted from Jews but the museum’s decision to display works from the foundation is still seen as an affront to victims of the Holocaust. Following calls from local public officials, the museum has said it will set up an independent commission to investigate the provenance of the works.
Born in Basel, Cahn’s paintings can be found in numerous museums including the Museum of Modern Art in New York and the Tate Museum in London.
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The new extension of Zurich’s fine art museum opens this weekend with the Bührle collection. A controversial choice for some.
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Housing the art collection of arms dealer Emil Bührle in the Zurich Kunsthaus will do little to quell decades-old controversies.
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