National exhibition picture - "Switzerland, a holiday destination for all peoples", 1939
Because of its size, the 90-metre long and five-metre high work, made up of 136 panels, was a major attraction at the exhibition in Zurich.
National exhibition picture - "Switzerland, a holiday destination for all peoples", 1939
Photographs of the day document how the Erni picture was exhibited.
National exhibition picture - "Switzerland, the holiday destination for all peoples", 1939
The picture at night.
Panta Rhei (everything is in a state of flux), 1935
(Picture: Hans Erni Museum)
Picture with coils and a rope, 1933
Oil on canvas. (Picture: Jacques D. Rouiller)
Poster for the Hyspa health and sport exhibition
(Picture: Jacques D. Rouiller)
Boutilimit (Mauritania), 1950
Watercolour on paper, Museum of Ethnography, Neuchâtel. (Picture: Jacques D. Rouiller)
Nuclear war - no thank you, 1954
Poster
Albert Einstein, 1957
Tempera on paper.
Country festivity, 1960
Oil on canvas. (Picture: Jacques D. Rouiller)
Save our water, 1961
Poster
The press, 1963
Tempera on paper. (Picture: Jacques D. Rouiller)
Breastfeeding woman in Valais, lithography, 1967
(Picture: Jacques D. Rouiller)
Tribute to Carl Spitteler, 1975
A mosaic for the Lucerne crematorium.
The tree of awareness, 1978
Acrylic on woodfibre board. (Picture: Jacques D. Rouiller)
Mstislav Rostropovitch, 1981
Pastel pencil on paper. (Picture: Jacques D. Rouiller)
Minotaur, 1984
Bronze sculpture (Picture: Jacques D. Rouiller)
Ploughing the rice paddy, 1986
Acrylic on Pavatex. (Picture: Jacques D. Rouiller)
Anthropomorphic alphabet, 1996
Tempera on plywood (Picture: Jacques D. Rouiller)
Clean Energy, 1999
Acrylic on plywood. (Picture: Hans Erni Museum)
Ut omnia exsolvantur, 1964, detail from a mosaic in the entrance hall of swissinfo in Bern.
(Picture: Christoph Balsiger, swissinfo)
swissinfo.ch
A look back on the work of Swiss artist Hans Erni.
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Erni celebrates his 100th birthday on February 21. He still works daily at his studio and urges everyone to aim for “constant renewal”. He was never involved in a political party, although he was considered to be close to the communists. His paintings made him a rich man but the art world does not consider him a successful artist… rather a popular one.
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