Utagawa Toyokuni (1769-1825): Flowers in the wind
Museum Rietberg
Left: Eishōsai Chōki (active ca. 1780–1809): Tsukasa Dayū from the Higashi Ōgiya whorehouse in Osaka's Shinmachi quarter. Right: Utagawa Kunisada (1786–1865): Preparing to go out
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Kaigetsudō Dohan (active 1710–1736): Courtesan
Museum Rietberg
Kitagawa Utamaro (1753–1806): A morning scene in a riverside whorehouse
Museum Rietberg
Kitagawa Utamaro (1753–1806): Hanaōgi from the Ōgiya whorehouse in Edochō Itchōme
Museum Rietberg
Kitagawa Utamaro (1753–1806): tea girl under a wisteria trellis
Museum Rietberg
Left: Kitagawa Utamaro (1753–1806): Normally described as an easy girl. Right: Suzuki Harunobu (1725?–1770): Princess Sannomiya, the third princess from the "Story of Prince Genji"
Museum Rietberg
Torii Kiyonaga (1752–1815): Seventh month, evening goodbyes
Museum Rietberg
The focus of the exhibition in Zurich’s Rietburg Museum are so-called bijinga, “beautiful women”, portrayed in traditional wood engravings from the 18th and 19th centuries.
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Aboriginal art in the home of absinthe
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The rolling green hills around Môtiers don’t have much in common with the Australian outback, but neither is the village at the end of the Val de Travers valley one of the busiest places in Switzerland. This is a village of 800 people who are more used to being associated with the green absinthe fairy.…
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Collections of tribal art – the visual arts and material culture of indigenous peoples – have flourished in Switzerland, where the tribal art scene is not the only thing to prosper: the debate about where art belongs rears its head regularly too. “The Swiss are an extremely curious people – the first ethnographic collection in…
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If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.