Dancing is not technique, but art and pleasure
Philippe Cohen, ballet director of the Grand Théatre de GenèveExternal link, who is back on the Prix de Lausanne jury after an absence of ten years, speaks positively about how dance training has evolved.
Born in Yokohama, Japan. I live in Switzerland since 1999. I hold a master’s degree in international relations from Geneva. I am the Head of the Japanese section of swissinfo.ch since 2016. Previously, I worked for 15 years for Asahi Shimbun at the UN in Geneva, where I closely followed multilateral and Swiss affairs.
Céline joined swissinfo.ch in 2018 as video journalist for the 'Nouvo in English' project, just after graduating from the Academie du journalisme et des medias (AJM) at the University of Neuchâtel. Originally from Ticino, she's been filming, writing and interviewing people all over Switzerland since she got her first reporter badge at 11 during a school camp.
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Françaisfr«La danse, ce n’est pas que la technique, c’est aussi l’art, et le plaisir» OriginalRead more: «La danse, ce n’est pas que la technique, c’est aussi l’art, et le plaisir»
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Русскийru«Танец – не только техника, но еще искусство и удовольствие»Read more: «Танец – не только техника, но еще искусство и удовольствие»
“There was a time when we were almost a bit to rigid in our approach. But I see that training has really evolved in this area. It’s important to have a good technique, but you shouldn’t forget that dancing is also about pleasure and that we are first and foremost artistic performers,” he says.
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