Let us spray: Swiss artist given permission to graffiti church
After waiting more than a decade, controversial Swiss graffiti artist Harald Naegeli has been given the thumbs-up to spray the walls of Zurich’s historic Grossmünster church.
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Swiss artist Harald Naegeli, known as the ‘Sprayer of Zurich’, at work in the city in 1991. (Keystone)
Keystone/Walter Bieri
One of Naegeli’s figures, seen on the outer wall of the Dominican church in Zurich. (Keystone)
Keystone
‘Support for the Sprayer of Zurich’: Naegeli’s supporters take part in a demonstration in 1984 to allow his work. (Keystone)
Keystone
Another Naegeli work in Zurich. (Keystone)
Keystone
The Willisau Jazz Festival taking place in front of the stage set by Harald Naegeli in 1984. (Keystone)
Keystone
A staircase of a Zurich car park is also home to an original Naegeli. (Keystone)
Keystone
Harald Naegeli (left) back on Swiss soil after German border police handed him over to the police in Basel. He was sentenced to nine months prison in 1981. He is with colleague and artist Joseph Beuys. (Keystone)
Keystone
The proposal by the 78-year-old artist to graffiti the inner walls of the Grossmünster towers has been accepted by both the church administration and the cantonal building authorities.
After illegally spraying numerous buildings, including churches, in the 1970s, Naegeli decided to apply for a permit to graffiti the Zurich landmark.
The towers of Grossmünster in the city of Zurich. (Zürich Tourism)
Zürich Tourism
Enfant terrible
In the 1980s he drew support and opposition from intellectuals and the general public alike for his illegal graffiti. After serving a prison sentence in 1984 for illegal defacement of property, he returned to Germany where he had been living before being incarcerated.
Naegeli will receive no payment for his latest artistic venture and the Zurich authorities will have the rights to remove the graffiti after four years (with the option of a two-year extension). There are also other regulations involved: the Grossmünster parish stipulated that he uses only black, blue and silver spray paint and that they retain the rights to use the artwork for communication purposes.
What does Naegeli get out of it? The work, titled “Todestanz” (Dance of Death), is seen as a reconciliation with a city which once punished him for his art.
Opening evening for the Grossmünster graffiti is scheduled for January 25, 2019.
Swiss public television, SRF, shows Naegeli in his younger years, using the city as his canvas:
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If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.