Culture Tracey Emin Previous Next Self Portrait (Bath), 2005. Tin bath, bamboo, neon and barbed wire. Dimensions variable. Private collection. My Bed, 1998. Mattress, linen, pillows and mixed media. Dimensions variable. Saatchi Gallery, London. There's Alot of Money in Chairs, 1994. Appliqué armchair. 69 x 53.5 x 49.5cm. Private collection, courtesy Jay Joplin/White Cube, London. The Perfect Place to Grow, 2001. Mixed media including wooden birdhouse, TV monitor, trestle, plants, ladder and DVD (duration 1 minute 45 seconds). 261 x 82.5 x 162cm. Tate: purchased 2004. Sobasex, 1998. Neon. 50.8 x 139.7 x 9cm. Courtesy the artist and Jay Joplin/White Cube, London. It's Not the Way I Want to Die, 2005. Reclaimed metal and timber. 310 x 860 x 405cm. Courtesy Jay Joplin/White Cube, London. I Do Not Expect, 2002. Appliqué blanket. 264 x 185cm. Art Gallery of New South Wales - private collection, Sydney. Emin at work. The cover image for the retrospective. Star Trek Voyager, 2007. Appliqué blanket. 275.5 x 238.5cm. Private collection. Picture 1 Picture 2 Picture 3 Picture 4 Picture 5 Picture 6 Picture 7 Picture 8 Picture 9 Up close and personal in Bern. This content was published on April 28, 2009 - 18:16 “Tracey Emin: 20 years”, a major retrospective devoted to the controversial British artist, is drawing curious crowds to the Museum of Fine Arts Bern. You can find an overview of ongoing debates with our journalists here . Please join us! If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.
You can find an overview of ongoing debates with our journalists here . Please join us!
If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.