Claude Monet, Water Lilies, 1916-1919, Fondation Beyeler/Riehen, and a crocodile sculpture of the Korewori River, Papua New Guinea. Photo: Paola Beltrame
Constantin Brancusi, Sleeping Muse, 1913, Fondation Beyeler/Riehen, and Tino Aitu figure, Nukuoro Atoll, Micronesia. Photo: Paola Beltrame
Crocodile Mask with Surmounted Face, Mabuiag Island, western Torres Strait, before 1871, Musée Barbier-Mueller, Geneva. Photo: Pierre-Alain Ferrazzini
Piet Mondrian, Image No III, 1938, and Two Malagan fishes, by the artist Matasor, New Ireland, Papua New Guinea, 1928. Photo: Paola Beltrame
Feather Portrait of the wargod Kūkā'ilimoku, Hawaiian Islands, before 1779, Ethnological Collection of the University of Göttingen. Photo: Harry Haase
Fernand Léger, Les perroquets (les acrobates), 1933, Fondation Beyeler/Riehen, and an Uli figure from New Ireland, Papua New Guinea. Photo: Paola Beltrame
Henri Matisse, Nu Bleu I, 1952, and La Grenouille, 1953, Fondation Beyeler/Riehen, and a female Inyai figure, Korewori River, Papua New Guinea. Photo: Paola Beltrame
Africa and Oceanic art meets modern masters.
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The Beyeler Fondation near Basel is showing an unusual exhibition where tribal art meets the likes of Monet and Picasso. The idea is to show how these two very different art forms can combine to produce a “visual explosion”.
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