In 1947, as Europe lay in ruins, like-minded humanist photographers founded the agency “Magnum Photos” in Paris. It remains the oldest and most renowned photo agency in the world. Many of its images are iconic. To what extent was – or is – Switzerland a theme for the agency’s photographers?
If you enter “Switzerland” into the Magnum archivesExternal link, you’ll get around 9,000 results. Photographer Martin Parr focused extensively on Swiss cultural peculiarities, the World Economic Forum in Davos is always a topic, Henri Cartier-Bresson traversed the country, and the post-war images of legendary photographers René Burri and Erwin Bischof heavily influenced how the world saw Switzerland.
In 1947, during the heyday of photo journalism, Robert Capa, George Rodger, David “Chim” Seymour and Henri Cartier-Bresson founded the Magnum Photo agency as a cooperative. Images could not be cropped, a credit was obligatory, and the negatives and rights belonged to the author.
Originally the photographers would travel the world, from crisis to crisis, capturing life for magazines such as “Look”, “Life” or “Vu”. In the meantime, the choice of subjects expanded. Whoever wanted to join – and there were hundreds of applications a year – had to be voted in through a long process.
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Photographer René Burri has died at 81
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Burri, who was born in Zurich in 1933 and later moved to Paris, was hired by the prestigious Magnum agency in 1955, and travelled around the world documenting the major political events of the 20th Century. Burri was only 13 years old when he photographed British Prime Minister Winston Churchill standing in an open-top car…
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These are just a small selection of the brutally honest, but deeply touching, poetic works of Magnum photographer Leonard Freed currently on display at Lausanne’s Musée de l’Elysée in his first major retrospective – “Worldview”. Leonard Freed, who died last year aged 77, was a quiet, introspective man who preferred the language of black-and-white photography…
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As a friend, Cartier-Bresson was granted rare access into the sculptor’s intimate world. He captured Giacometti’s portraits at his Paris studio on the rue Hippolyte-Maindron. But more personal shots were gleaned on a holiday with the sculptor and his mother at their family home in Stampa, a mountain village in southeastern Switzerland. However, this intimacy did not…
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Unlike many of the photographers of his time, Halsman (1906-1979) did not use photography as a means to seize a fleeting moment –discovering the thrill of being in the right place at the right time. Instead, he carefully crafted each one of his images, seeking however to retain an element of spontaneity. It was this…
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If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.