In Between Frames

Anterior Próxima

Light on white. The only film that is playing right now. Linda Kersnerova

Water meets fog, fog meets mountains, mountains meet sky. Linda Kersnerova

Breaks generated alongside beeping badges, searching bags, making speeches and toasting the festival. Linda Kersnerova

Watch films, write, dance; repeat. Linda Kersnerova

Just you and your sleep deprivation. Linda Kersnerova

Two pools stacked on top of each other in a lakeside town that sees seven thunderstorms a day. Linda Kersnerova

Minions. Screening now in the special out of competition section. Linda Kersnerova

Supermarket lunches by the lake, supervised by the bird gang. Linda Kersnerova

Rain on fur. Linda Kersnerova

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The "visual diary" is a form developed by the late Jonas Mekas (1922-2019), deacon of experimental film-making and founder of the Anthology Film Archives in New York. On this line, Critics Academy member Linda Keršnerová took the challenge of documenting her personal impressions of Locarno by way of black&white photography in between the tough routines of a marathon of cinéphilie. 

Linda Keršnerová was born shortly after the Velvet Revolution in then Czechoslovakia. She was raised, educated, and now works in the Czech Republic. She also spent some short but formative time in Scotland in her teenage years. She currently divides her time between her law practice, volunteering—for karma, to balance out the whole lawyer thing—and semi-amateur film criticism for an independent online magazine called Pinbacker, which was founded and is run by a bunch of friends and has grown successful enough to get press screening invitations. Linda Kersnerova